Triade: El Fin De La Maldad |

The Balance Between Metal And Classical

(2000 – Independent)

If there’s one band that’s tenacious, resilient, and steadfast, it’s Triade, which, with over 30 years under its belt, continues to fight its own battle without answering to anyone. Always part of the underground scene, at this point we could very well say that Triade is a true cult band and a vital part of the history of what’s known as White Metal in Argentina.
Triade was part of that first wave of bands that made the Christian message a central part of their lyrics. Contemporaries of bands like Lázaro, Boanerges, Heaven, Nuevo Pacto, and so many others, this band from the southern part of Buenos Aires has always maintained a low profile and a deeply underground stance, doing things their own way and without relying on anyone.
But above all, over the years they’ve managed to maintain a distinct identity of their own. Yes, they naturally have their influences, rooted in traditional, melodic, and classic Heavy Metal, but with a certain epic flair in their compositions—all of which has given them a sound and style that’s uniquely their own.

After releasing a first demo—which included almost all of the tracks featured here, except for one that would later appear on their second album (“Con El Pie En El Acelerador”)—Triade decided to record this debut album, titled “El Fin De La Maldad”, which was recorded and produced entirely independently.
Daniel San Martin (a friend of the family, so to speak, and Triade’s guitarist) has often told us about the difficulties they faced in recording their first album, as well as the lack of support and even a proposal from a well-known producer to radically change the band’s musical direction. Nothing new that we don’t already know.
The truth is that Triade has always remained true to its message and style—which is quite unique, by the way. “El Fin De La Maldad” is a great example and introduction to what Triade is as a band, not only because it’s their classic album but also because, in our opinion, it features the band’s best compositions to date.
“El Fin De La Maldad” brings together compositions dating back to the band’s very beginnings, perfected here to such an extent that, when gathered together on a single album, they give it a very distinctive feel—one that would make it a classic for both the band and the White Metal scene here in Argentina.
A classically inspired guitar solo simply titled “Intro” welcomes us to this album, which opens with its first track, aptly named “El Fin De La Maldad”, giving the album its title. With a heavy dose of traditional and classic Heavy Metal, Triade kicks off with a track clearly inspired by the classics but heavily influenced by Iron Maiden, their most noticeable influence. The voice of Hernán Real, the band’s vocalist, adds a distinctive touch to Triade’s sound.

What follows is a real powerhouse track called “Salí De La Oscuridad”—dark and mid-tempo, with a dense tone and a solid foundation, featuring a passage with epic undertones, classic guitars, and even a violin thrown into the mix. The album continues with another true classic, “Testimonio”, a track with just the right melodies and harmonies to be considered one of the album’s highlights—and one that undoubtedly reaches deep into the soul.
The most epic and climactic moment comes in “Mirando La Cruz”, a heartfelt musical and lyrical interpretation of Christ’s crucifixion, performed mostly with acoustic guitars, beautiful string arrangements, and a transverse flute played by guest artist Marcos Delupi. A sublime performance that puts us right where we need to be.
“No Hay Futuro Sin Tu Amor” is a blend of fierce, riff-driven Heavy Metal with that classic, orchestral sound that runs through Triade’s veins—another tremendous blast, crowned by a great guitar solo by Mr. Daniel San Martin.
“Los Ojos Ciegos” kicks off with a highly epic feel, but as it unfolds, we encounter one of Triade’s fastest and most furious tracks, featuring numerous passages of harmonies and melodies crafted from the six strings—a style that carries over into the instrumental “El Vuelo Del Arcángel”, an exquisite piece with clear classical inspiration. Here, Triade showcases much of its influence and penchant for symphonic elements, which stem from the beauty of the guitar scales and solos, complemented by a powerful, supportive rhythm section.
Near the very end, we encounter another of the album’s highlights: “Cenizas Del Atardecer”, which is as epic and grandiose as it gets—and one might even say it has a certain medieval flair. It’s possibly one of the album’s finest moments, where the blend of classical, epic, and traditional Heavy Metal reaches its perfect boiling point.
The album concludes with an old church hymn performed as an instrumental, which provides the perfect backdrop for a spectacular finale, we might say.

“El Fin De La Maldad” is a well-conceived album, crafted in such a way that all the pieces fit together almost perfectly, featuring different moments and a direction that would define Triade’s sound and style from here on out.
But it also has that certain something that makes it interesting, with a catchy hook in every composition and an introspective quality in each song, as they unfold, evoking different moods and sensations.
The lyrics are Christian and straightforward, yet with a tendency toward social and political criticism—a trait very characteristic of Christian Heavy Metal bands from the ’90s, a quality that no Christian band of another genre has managed to capture. Triade is a good example and testament to this.
The album cover and design feature a full illustration with a certain romantic and baroque flair, which fits perfectly with Triade’s sound—centered on Heavy Metal that’s both classic and epic. The design is of very high quality—truly old-school—and this is worth noting, especially considering that we’re talking about a completely independent production with virtually no outside support.
I don’t recall this album ever being released on cassette, so I can’t say for certain. What is certain is that “El Fin De La Maldad” was released on CD and distributed by the band itself, which required a massive effort on their part; just think—we’re talking about a time when they had to visit record stores and distributors, sell by mail, and so on, all done by the band themselves since everything was done “on their own”, as the saying goes. It’s possible the band still has a few physical copies of this album, but a reissue wouldn’t be a bad idea—even on vinyl, though that might sound far-fetched.
The fact is that, despite the scarcity of resources, that doesn’t seem to have made a dent in Triade, and they managed to polish a more than decent sound. The album was recorded between October 1999 and January 2000 at “Top Studio”, in the southern part of Buenos Aires, with Jorge Zarza as the engineer. The mixing and final sound gave Triade’s work on this album a deep, dense, and immersive feel—you could almost call it Doom Metal! Each instrument—the bass lines, the guitars, and so on—can be enjoyed clearly and powerfully. When inspiration and originality are present, the resources available to make a good album don’t matter. The quartet—which at that time consisted of Hernán Real on vocals, Daniel San Martin on guitar, Claudio Rey on bass, and Maximiliano Parra on drums—worked together perfectly and did a great job.

And that’s where Triade doesn’t disappoint, because “El Fin De La Maldad” is a collection of great songs, all put together in such a way that, as a whole, they result in an excellent production—because the truth is, Triade’s classics are right here on this album.
After “El Fin De La Maldad”, Triade continued on its path, releasing two more albums, undergoing some lineup changes, and performing sporadic live shows; but even today, the band remains active, always fighting from the underground—and that’s what ultimately matters.
Triade left this album as their legacy—a testament to and faithful representation of an era, as well as the beginnings of White Metal in Argentina and the region. That’s why we wanted to highlight it and also reminisce about the good old days.
In any case, Triade remains active. The latest we’ve heard from the band is that they’re in the midst of a creative process, with several ideas and projects underway, so it wouldn’t be surprising if we hear more from them in the future. Here are the links to stay connected with Triade and follow them on social media to stay up to date on the latest news…

https://www.facebook.com/triademetal

https://www.instagram.com/triademetal